A Comprehensive Way to Edit F5/F55 Footage in FCP, Avid and Premiere

 Cause the videos output by Sony F5/F55 can’t be suitable for most non-linear editing software such as FCP, Avid or Premiere, Come here to find out the solutions!

If you ask me how to edit your video files in FCP,Avid  and Premiere individually, I may tell something like plug-ins to do you a favor..

Sony has updated their Content Browser v2.0, which is a piece of software used to play back and download clips off their original media. The F5 & F55 record to SxS cards, so you’ll need a Sony SxS card reader, Echo Thunderbolt Card reader, or a computer equipped with an ExpressCard 34 slot to start. Make sure you download the latest SxS drivers from Sony’s website and keep in mind that the F5/F55 formats cards in exFAT, which a universal format for both Mac and PC. Website From

FCP-mpeg-2 importing. Now open up Final Cut Pro and go to File Menu -> Import -> Sony Content Browser. This will launch Content Browser 

Next, open the Preferences window in Content Browser and look for the FCP tab 

 

Select Final Cut Pro 7 from the drop down box, and choose a path for where you want the MOV versions of the clips to be created 

 

This will open a new window where you can choose any open FCP 7 project as a destination for your clip. 

XAVC Importing.

To import into FCP 7, simply choose File -> Import and locate the original MXF files from the camera. 

When you import XAVC Clips, you’ll get an error that says “The following media files are not optimized for Final Cut Pro.” This means they may not edit easily. 

 

On my Retina Display MacBook Pro they play OK, you can use Compressor to convert these same files to ProRes or whatever else you want to edit in.   

 

Furthermore, If you are now looking for a comprehensive way to answer this question about importing footage in three editors together, you can take this following paper as a reference
How wonderful it is if there is a F5/F55 video converter can change the footage into the best formats that accepted by FCP, Avid and Premiere. Fortunately, we have already found that! Pavtube HD Video Converter for Mac, designed to transcode  various HD videos and output NLE supported video formats. What’s more, it can also edit or create personal videos. Can’t wait to have a try? Here are some specific steps for you:

Step 1. Load your footage in F5/F55 video converter with ‘Add video’ or ‘Add From Folder’

 

Step 2.Choose you own output format to three editors, Apple ProRes codec 422 to FCP, DNxHD MOV to Avid and WMV (VC-1)(*.wmv) to Premiere.

Step 3. Additional ‘Editor’ to make some editing if you need. More details about this item, you can click here.

 

Step 4. ‘Settings’ about your output videos.

 

Finally, ‘Convert’ to get start.

A perfect converter for you to edit footage whatever in FCP, Avid or Premiere. So you won’t get worries about it anymore.

Related articles:
Work with Sony F55/F5 XAVC in FCP/iMovie/Premiere/Avid MC
How to Edit XAVC Files in FCP 6/7/X?

Trying to load Canon XF100/XF105 MXF files to FCP X

Get trouble in editing Canon XF100/XF105 MXF video files in Fina Cut Pro X? Take it easy and here we’ll offer you some suggestions.
Trying to import a video file recorded by Canon XF100/XF105 FCP X for editing? Surely, this is a nice way for you to do decorations in order to make your videos more beautiful for watching. But as we know, FCP X-an advanced editor only produced by Apple Company so the video formats it supported are only coded by Apple ProRes. Thus, MXF files can’t be accepted by FCP X.

 

As a pursuer of FCP X, it has indeed become a problem for those Canon MXF users. As a non-native format for FCP X, there is no doubt it can’t be read or edited. Maybe someone will ask: Isn’t there any solutions to make MXF files smoothly imported by FCP X? Of course not! Pavtube iMixMXF can do you a big favor! Except for converting MXF footage to Apple ProRes Codec, this MXF converter can also offer you some other formats compatible withAvid Media Composer, Adobe Premiere Pro, etc. The most important point is it also offers the multi-track video output item.

Several steps of importing files to MXF converter offered for you :

Step 1.Load your MXF project and you can take a preview on right window.

  
Step 2. Choose the compatible format: Final Cut Pro>>Apple ProRes 422 codec.

Step 3. Some ‘Settings’ for output format.

 

Click Button ‘Convert’ to finish your work.

In all, a nice choice of editing MXF files in FCP X! Also a better choice of using iMixMXF! Wish you a nice day!

Other guides:

Work with Sony F55/F5 XAVC in FCP/iMovie/Premiere
How to Edit AVCHD MTS/M2TS/M2T/TS Files in FCP 6/7/X?
Method to import AVCHD files into FCP

Make Avid DNxHD MXF Load to DaVinci Resolve Possible

You got a problem about Avid DNxHD MXF not loading to Davinci Resolve for editing? Just calm down and here is a best solution for you.

Many users have reflected that they come across issues loading Avid DNxHD MXF to DaVinci Resolve. The reasons why they import failure is that they don’t know this editing software supports the Avid DNxHD MOV, not MXF. Let me show you an example, just like another editor called FCP X, you can’t also import your MXF videos to FCP X for editing, right? As a non-native format for DaVinci Resolve, there is no doubt the Avid DNxHD MXF files failed to be read and imported by DaVinci Resolve.

 

So how to import Avid DNxHD MXF files to DaVinci Resolve and edit smoothly? The best policy is to convert MXF format to MOV-best supported format by DaVinci Resolve. It won’t be a big deal if you get MXF converter called Pavtube MXF MultiMixer/iMixMXF

Some steps of importing MXF files to MXF Multimixer for converting, Mac users can go this way.

Step1.Load your Avid DNxHD MXF videos .

Step 2.Choose right format by clicking format bar, Avid Meida Composer>>Avid DNxHD 720P/1080P(*.mov).

Step 3. ‘Settings’ for more choices of output files.

At last, click ‘Convert’ is okay. 

With the help of MXF video converter, you won’t be worry about the problem of editing Avid DNxHD MXF files in DaVinci Resolve.

Related guides for reading:
Why Avid DNxHD MXF not loaded to FCP X? 
Solution to import Panasonic HVX200 MXF to iMovie

Best Comparisons within FCP X, Avid MC and Adobe Premiere Pro CC

What? You don’t know the differences in FCP X, Avid MC and Adobe Premiere Pro CC yet? Fine, this paper can help you know more about them.

Nowadays, in editing word, there are so many editing software produced for us to decorate our videos, images and photos. A number of software options we often use in our life such as Autodesk Smoke, Grass Valley EDIUS, Lightworks, Media 100, Sony Vegas and Quantel. The lion’s share of editing is done on three platforms: Apple Final Cut Pro X, Avid Media Composer or Adobe Premiere Pro CC. Especially, the last three editors appear frequently no matter in our daily life or work.

 

Surely, they three have common points and differences, now we’ll make a comparison in three editors. To know more about them, let’s read the article below:

Specific Introductions about FCP X, Avid Media Composer and Adobe Premiere Pro CC

Apple Final Cut Pro X  

 

This update is the tipping point for many FCP 7 users. Enough updates have been released in over two years to address many of the concerns professional editors have expressed. 10.1 requires an operating system update to Mavericks (10.9 or later) and has three marquee items – a revised media structure, optimization for 4K and overall better performance. It is clear that Apple is not about to change the inherent design of FCP X. This means no tracks and no changes to the magnetic timeline. As with any update, there are plenty of small tweaks, including enhanced retiming, audio fades on individual channels, improved split edits and a new InertiaCam stabilization algorithm.

FCP X’s performance was optimized for Mavericks, the new Mac Pro and dual GPU processing. By design, this means improved 4K throughput, including native 4K support for ProRes, Sony XAVC and REDCODE camera raw media files. Along with Final Cut Pro X 10.1, Apple also released updates to Motion and Compressor. 

Brief steps for importing files in FCP X

Avid Media Composer 

 

The biggest feature of Media Composer 7.

0.3 is optimization for new operating systems. It is qualified for Windows 8.1 and Mac OS X 10.8.5, 10.9 and 10.9.1. There are a number of interface changes, including separate audio and video effects palette tabs and changing the appearance of background processing indicator icons. Transcode choices gain a set of H.264 proxy file codecs. 

These had been used in other Avid news and broadcast tools, but are now extended into Media Composer. Support for RED was updated to handle the RED Dragon format. Avid added background transcoding services and FrameFlex – Avid’s solution for bigger-than-HD files. Media Composer also accepts mixed frame rates within a single timeline, by applying Motion Adapters to any clip that doesn’t match the frame rate of the project.

Adobe Premiere Pro CC 

 

The current build of Premiere Pro CC was released towards the end of 2013. Adobe has been enhancing editing features with each new update, but two big selling points of this version are Adobe Anywhere integration and Direct Link between Premiere Pro CC and SpeedGrade CC.

Since you are working directly with the Premiere Pro timeline, SpeedGrade functions with a subset of its usual controls. Operations, like conforming media to an EDL, are inactive. Direct Link facilitates the use of various compressed codecs that SpeedGrade wouldn’t normally handle by itself, since this is being taken care of by Premiere Pro’s media engine. When you’ve completed color correction, the saved timeline is sent back to Premiere Pro. 
Clips in Premiere Pro with applied Lumetri effects also require more resources to play well and rendering definitely helps. The color roundtrip results were good in my tests, with the exception of any clips that used a filter layer with a LUT. These displayed with bizarre colors back in Premiere Pro.

Brief steps for importing files in Adobe

Differing business models in three

Apple, Avid and Adobe have three distinctly different approaches. Adobe and Avid offer cross-platform solutions, while Final Cut Pro X only works on Apple hardware. Users may install the software on as many computers as they like (Mac or PC), but only two can be activated at any time.

Apple’s software sells through the Mac App Store. Individual users may install and use these applications on any Mac computers they own, but enterprise users are supposed to purchase volume licenses to cover one installation per computer. FCP X uses a special version of XML for timeline interchange with other applications, so if you need to send material via EDL, OMF or AAF – or even interchange with previous versions of Final Cut Pro – you will need to augment FCP X with a variety of third-party utilities.

Avid Media Composer remains the only one of the three that follows a traditional software ownership model.  You purchase, download and install the software and activate the license. You may install it on numerous Macs and PCs, but only one at a time can be activated. Thanks to Avid’s installation and activation process, Media Composer is the most transportable of the three. Simply carry Mac and Windows installers on a USB key along with your activation codes.

Dealing with formats

Similarities: 
All three applications are good at handling a variety of source media codecs, frame rates and sizes. In some cases, like RED camera files, plug-ins need to be installed and kept current. Both Apple and Avid will directly handle some camera formats without conversion, but each uses a preferred codec – ProRes for Final Cut Pro X and DNxHD for Media Composer. If you want the most fluid editing experience, then transcode to an optimized codec within the application.

Differences:
Most of us work with HD (or even SD) deliverables, but higher resolutions (2K, UHD, 4K) are around the corner. All three NLEs handle bigger-than-HD formats as source media without much difficulty. I’ve tested the latest RED EPIC Dragon 6K camera files in all three applications and they handle the format well. Both Adobe and Apple can output bigger sequence sizes, too, such as 2K and 4K. For now, Avid Media Composer is still limited to HD (1920 x 1080 maximum) sequences and output sizes.

Related articles:

1. XAVC to FCP on Mac - XAVC is still a new recording format that fails to be recognized by FCP, iMovie, Premiere and Avid.
2. H.264 .MOV footage to Final Cut Pro X - H.264 codec is often used in editing from cameras to editing software.
3. Put MTS into Premiere Pro on Mac - Mske Sony MTS files accepted by Premiere.

Smoothly Back up Blu-ray Movies to External Hard Drive on Windows

In order to back up Blu-rays to hard drive or play BD movies on windows, you won’t get related troubles if you follow the page below.

Blu-ray, according to its high definition feature and powerful storage capacity, it has been popular for a long time. However, we can’t enjoy this happiness when we want to watch them on common players. May be due to this disadvantage, the amount of Blu-ray fans has becoming less and less. So someone maybe asks: Is there any tool for us to transfer or rip Blu-ray movies to external hard Drive? Absolutely yes! Pavtube BDMagic- a professional BD tool whatever you wanna transfer or copy Blu-rays.

‘My intentions with BDMagic program is to backup my Blu-ray movies on my external hard drive & watch the movies on the 50 inch Sony HDTV… And I do perfectly with Pavtube BD Magic’---said James

From the feedback above by a customer after using this product, you must get something about it. Indeed, BDMagic not only can copy your Blu-rays but also can transfer BD movies into common formats for watching on Windows. Here for Mac users.

Here are some tips about specific ways of copying or transferring BD movies:

Firstly, download, install and launch BDMagic. Import the files with button ‘File’.

 
Secondly, click format bar and choose the ‘Copy’ item to preserve to external hard drive. In this way, you can keep movies in original structure and you will get the main title files.

Tip: If you want to backup 1:1 full disc movies, you can click this button. Blu-ray Backup: 1:1 Full Disc Copy on Mac 10.9 Mavericks and Mountain Lion

Note: If you wanna transfer your Blu-rays into common formats for playing or editing, just choose one suitable format. Such as AVI, MPG, WMV, MPEG-4, MP4, or MKV etc.

Finally, you can click ’Convert’ to wait for your output movies.

I have to remind you that BDMagic has another particular function to transcode you movie audio to FLAC-the latest high quality audio. Just like this way:

So do you learn that nothing is impossible? Looking for an effective way to solve your problem, BD Magic can do you a favor.

To learn more:

• Backup Blu-ray Discs to MKV with WD MyCloud
• No Trouble Importing Blu-ray Discs into Final Cut Pro X on Mac
• How Do I Watch Blu-ray/DVD Movies on PS3?

Ways of Changing XAVC to MPEG-1/MPEG-2/MPEG-4 on Windows/Mac

In order to make XAVC videos files accepted by most editors orplayers, sometimes, we need to change XAVC into other compatible formats with professional converters.

XAVC-a kind of popular format in our modern life

We all know that XAVC is the newest compression codec released by Sony to keep up with new technology in video and film production. Due to its superiority, more and more manufacturers have already make plans for support the XAVC format and workflow so XAVC has been appeared frequently in many programs.



Recognize XAVC and How to Open XAVC on Windows/Mac

Reasons of converting XAVC files to MPEG-1/MPEG-2/MPEG-4

MPEG-1, as we all know, it’s a standard which is published as ISO. MPEG-2, it is designed to distributed in DVD and similar discs. It is used in most digital television and DVDs. Gradually, MPEG-4 is coming which has improved coding efficiency over MPEG-2. It is supported by Nero Digital, DixX, QuickTime or other high-definition video media. Therefore, if we wanna enjoy captured footage on Windows/Mac, we should convert Sony XAVC to MPEG.

Pavtube HD Video Converter for Win/Mac-a nice assistant for help.

It is unnecessary if you are still confused in specific ways of changing XAVC into MPEG-1/MPEG-2/MPEG-4. Here we can introduce a converting tool with strong superiority called Pavtube HD Video Converter for Mac/Windows. It not only can offer you the method to convert XAVC to MPEG, but also can provide many other formats for you. Besides, some other items you may like too. Such as Merge, Split and Select Subtitles and Audio Track. For more introductions about it

Some specific steps of converting XAVC Video Converter are listed below:

First, import XAVC files you want to convert.

Second, choose correct format. Click Format Bar>>Common Video>>MPEG-1 Video(*.mpg)/MPEG-2 Video(*.mpg)/MPEG-4 Video

 

 

Third, In the Profile Settings window, you can choose or specify exactly the parameters you like. And in the Task information section, you can compare the detailed information of the source video and the target video.

   

Forth, just click the ‘Convert’ button is OK.

 

After succeed in converting XAVC to MPEG with Video Converter, you’ll have no worries about the satiation that we can’t play on edit XAVC file on Windows or Mac. What are you waiting for?

If you want more: 
Work with Sony F55 XAVC in FCP/iMovie Does Adobe Premiere adds Sony F55/F5 4K XAVC support?
Possible to Convert XAVC Videos to MP4/MOV/AVI/WMV/M4V/MPG

Enable MXF Files edited in Adobe Premiere Pro CC

In order to solve the problem: MXF files can’t work in Adobe Premiere Pro CC, we are suggested to call iMixMXF for a help.

MXF- one video format to record your life truly.

 

Do you really want to preserve some videos about your personal moments with a high-definition image by MXF? Yes, MXF file is a kind of popular formats that we can often meet in some famous cameras, it is used in a lot of occasions, something like wedding day, birthday, memorial day, etc. For remembering those important days in our life, we have an idea of editing MXF videos as a symbol for those heart-warming moments. Usually, some editors like FCP, iMovie or Sony Vegas are often used by us, today here we’ll introduce the way of importing MXF files into Adobe Premiere Pro CC.

Pavtube iMixMXF-a bridge combining MXF files with Adobe Premiere Pro CC

With the desire of converting MXF to MPEG-2,the most suitable format that Adobe Premiere Pro supported, Pavtube iMixMXF converter is a bridge that connects MXF videos to Adobe Premiere Pro CC smoothly. Besides, iMixMXF has another two functions which are practical in editing. It has Multi-track video and 3D video function for users choose. Easy operation, fast conversion and high-quality video are also its advantages.

If you are not still have a strong understanding about iMixMXF, just click here, more details are offered for you.

Step 1. After downloading, install and run this MXF to Premiere Pro Converter, just import the MXF files to the software. 

 

 
Step 2. Click "Format" bar to choose the output format.


 
Step 3. You can click "Settings" button to adjust the parameters, such as resolution, bitrate, etc

Step 4. Click "Convert" button to start converting MXF to MPEG-2 or WMV to bring them into Adobe Premiere Pro CC. 

In a word, maybe iMixMXFis the fastest and the most convenient way of importing MXF videos into Adobe Premiere Pro CC, Once you have a try, you will love it not only its strong converting function but also its concise interface and convenient operation.

If you are interested in following guides:
An efficient way to Import Canon C500 PL 4K MXF to FCP X
Making Canon XF200 MXF accepted by Avid Media Composer
Convert MXF to AIC MOV for iMovie editing without no audio problem