Thought on A Workflow for AVCHD in FCPX and DaVinciResolve 9

When you have a thought on a workflow for AVCHD in FCPX and Resolve 9, why not take the following paper for a reference? 
Do U know here?

FCPX---(pronounced "Final Cut Pro Ten") is a video editing app for OS X from Apple Inc. and the successor to Final Cut Pro. FCP X was announced in April 2011 simultaneously at the Los Angeles Final Cut Pro Users Group held at Bally's Las Vegas and at the NAB Show in the Las Vegas Convention Center and released in June 2011.

Resolve 9As one of the earliest pioneers in post production products, Davinci Systems introduced several innovative products and was considered a significant player in the post production industry during its 25 years of operation.

 

With Blackmagic DesignDaVinci Resolve 9 Lite being free and a really powerful grading tool, many users are trying it out. It makes a great companion to Apple Final Cut Pro X and is really easy to move files between both applications via XML.

However, we have found that it performs really badly with AVCHD files. When you import AVCHD files, like those from the Sony NEX-FS100 / 700, FCPX creates ProRes Proxy files in the background. FCPX then uses those files in the timeline, so you are not actually editing with the AVCHD file but rather the proxy.

Here is a simple workflow for you to get a smooth working process in Resolve from FCPX with AVCHD. Let’s have a look.

In FCPX: Select your Event containing your clips. Select “File/Transcode Media…” and then select “Create optimized media”. Let FCPX do its thing. FCPX is now transcoding the AVCHD files to ProRes 422. Now export your project XML file.

In Resolve: Launch and browse your Final Cut Events Folder in Media panel. Find the Event folder for your project, inside it you’ll see a folder called “Transcoded Media” in there you’ll find 3 folders, open “High Quality Media”. Select all the files, right click and select “Add to Media Pool”.

Now move to the Conform tab and import the FCPX XML file and uncheck “Automatically import source clips into media pool”.Resolve will use the files already in the Media Pool, which are high quality ProRes 422 files, rather than the original AVCHD files. Things should run a lot smoother.

Question: How to make it easier for editing AVCHD MTS files both in FCPX or Resolve9?
Answer: An AVCHD MTS Video Converter for you!

If you wanna know more about the specific process of converting AVCHD MTS to Apple Prores mov for FCP and DNxHD mov for Resolve, here we can go.

Step1. Import AVCHD MTS files from ‘Add videos’ or ‘Add from folder’

 

Step 2. Make it easier to choose output formats.(1).’Final Cut Pro>>Apple ProRes 422 codec mov.’  (2).’Avid Media Compose’ >> “Avid DNxHD (*.mov)

 

Step 3.More ‘Settings’ for you! Set something about your video and audio.  Including Video size, bitrates and fame rate and more. Usually 1920*1080 video size and 30fps video frame rate are recommended for FCP editing. Well, if you prefer to work with 4K video, you can adjust video size to get 4K ProRes for FCP.

 

Tip: More small functions are waiting for you. ’Edit’>>’Crop, Trim, Subtitles, etc.’

 

Start conversion with ‘Convert’ button.

Not only for FCP or Resolve, but also for other editing system like iMovie or Premiere. MTS Video Cnverter for Mac will help you import the file correctly and saving the rendering time.

More:
Import Panasonic GH4 4K Videos to DaVinci Resolve 9
Make Avid DNxHD MXF Load to Resolve

Talking about the Best 4K Ultra HD Video Converter for Mac/Windows

Along with the popular 4k video comes in our life and attract our attention, Do you know the specific details about 4k Ultra HD videos?

From standard 720p and 1080p, now the latest standard called 4k has come to our life. Don’t you know what does 4K means? You’re out! As we all known, video quality is one of the most factors that many people concern. So the 4K video is more and more popular with many people. If you've got some 4K Ultra HD videos, but have no idea how to work with them, you are in the right place. This article will give you some tips and tricks how to play, edit 4K videos in a simple way.

Definition and Development of 4K:

4K is a new resolution standard designed for digital cinema and computer graphics. It has following advantages: higher image definition quality, more detailed picture, better fast-action and larger projection surface visibility.

4K format was named because it has 4000 pixels horizontal resolution approximately. Meanwhile, standard 1080p and 720p resolutions were named because of its vertical resolution. The new standard renders more than four times higher image definition than 1080p resolutions for example.

Source of 4K video:

With the number of 4K-capable cinemas already high and growing fast, more and more new films are either being converted into 4K Ultra HD digital masters from 35mm celluloid, or filmed directly in the 4K digital format using a new generation of 4K-capable digital cameras or camcorders. Here we’ll introduce you some main camcorders which can produce’4K videos’

Sony serious: FS700, CineAlta F5, CineAlta F55, CineAlta F65
Canon serious: EOS C500, EOS-1D C DSLR
Panasonic Lumix GH4 serious.
Blackmagicserious.

Though 4K Ultra HD Video is so popular in digital area, including televisions and camcorders, the format 4K supported is not accepted by usual devices or editors. So is there any tool to convert or compress 4K Ultra HD Videos? Of course Yes! Here we got a professional 4K Ultra HD Video Converter for Mac/Windows which can provides so many usual formats like Apple ProRes 422(HQ/LT/Proxy) for FCP, AIC MOV for FCE and iMovie, MP4 for any mobile or PC video players, etc. In addition, this 4K Video Converter can also so some simple editing for you. For more, we can openhereto take a further reference.
Some main steps for converting your 4K videos are allowed here(More details）

Step 1. Load your files in three ways: 

Click “File” menu, and select "Add Video/Audio" or "Add from folder" to import source video, audio and image files.

Click “Add Video” button or “Add from folder" button to import source files.

Open the folder that contains source files, and drag and drop video, audio and image files to the program.

TIP:If you are loading TiVo shows to 4K Video Converter for Mac, please enter your Media Access Key as the program asks, and then click "OK" button to confirm.

Step 2. Choose the best formats you want with’ Format Button’ on the format list.

Step 3. All formats here are set with optimized video/audio codec, bitrates, frame rates, etc. But you can still specify as you like by clicking ‘Settings’ button.

 

Start your conversion with ‘Convert’ button and convert your 4K video formats.

Are you all be satisfied with the suggestions above? Please leave some comments if necessary.

What’s more:
Possible to Convert 2K/4K XAVC Videos to MP4/FLV/SWF/MOV/AVI/WMV/M4V/MPG?
Methods to Convert 2K/4K Videos to ASF/SWF
Work with Sony F55/F5 XAVC in FCP/iMovie/Premiere/Avid MC

A Comprehensive Way to Edit F5/F55 Footage in FCP, Avid and Premiere

 Cause the videos output by Sony F5/F55 can’t be suitable for most non-linear editing software such as FCP, Avid or Premiere, Come here to find out the solutions!

If you ask me how to edit your video files in FCP,Avid  and Premiere individually, I may tell something like plug-ins to do you a favor..

Sony has updated their Content Browser v2.0, which is a piece of software used to play back and download clips off their original media. The F5 & F55 record to SxS cards, so you’ll need a Sony SxS card reader, Echo Thunderbolt Card reader, or a computer equipped with an ExpressCard 34 slot to start. Make sure you download the latest SxS drivers from Sony’s website and keep in mind that the F5/F55 formats cards in exFAT, which a universal format for both Mac and PC. Website From

FCP-mpeg-2 importing. Now open up Final Cut Pro and go to File Menu -> Import -> Sony Content Browser. This will launch Content Browser 

Next, open the Preferences window in Content Browser and look for the FCP tab 

 

Select Final Cut Pro 7 from the drop down box, and choose a path for where you want the MOV versions of the clips to be created 

 

This will open a new window where you can choose any open FCP 7 project as a destination for your clip. 

XAVC Importing.

To import into FCP 7, simply choose File -> Import and locate the original MXF files from the camera. 

When you import XAVC Clips, you’ll get an error that says “The following media files are not optimized for Final Cut Pro.” This means they may not edit easily. 

 

On my Retina Display MacBook Pro they play OK, you can use Compressor to convert these same files to ProRes or whatever else you want to edit in.   

 

Furthermore, If you are now looking for a comprehensive way to answer this question about importing footage in three editors together, you can take this following paper as a reference
How wonderful it is if there is a F5/F55 video converter can change the footage into the best formats that accepted by FCP, Avid and Premiere. Fortunately, we have already found that! Pavtube HD Video Converter for Mac, designed to transcode  various HD videos and output NLE supported video formats. What’s more, it can also edit or create personal videos. Can’t wait to have a try? Here are some specific steps for you:

Step 1. Load your footage in F5/F55 video converter with ‘Add video’ or ‘Add From Folder’

 

Step 2.Choose you own output format to three editors, Apple ProRes codec 422 to FCP, DNxHD MOV to Avid and WMV (VC-1)(*.wmv) to Premiere.

Step 3. Additional ‘Editor’ to make some editing if you need. More details about this item, you can click here.

 

Step 4. ‘Settings’ about your output videos.

 

Finally, ‘Convert’ to get start.

A perfect converter for you to edit footage whatever in FCP, Avid or Premiere. So you won’t get worries about it anymore.

Related articles:
Work with Sony F55/F5 XAVC in FCP/iMovie/Premiere/Avid MC
How to Edit XAVC Files in FCP 6/7/X?

Trying to load Canon XF100/XF105 MXF files to FCP X

Get trouble in editing Canon XF100/XF105 MXF video files in Fina Cut Pro X? Take it easy and here we’ll offer you some suggestions.
Trying to import a video file recorded by Canon XF100/XF105 FCP X for editing? Surely, this is a nice way for you to do decorations in order to make your videos more beautiful for watching. But as we know, FCP X-an advanced editor only produced by Apple Company so the video formats it supported are only coded by Apple ProRes. Thus, MXF files can’t be accepted by FCP X.

 

As a pursuer of FCP X, it has indeed become a problem for those Canon MXF users. As a non-native format for FCP X, there is no doubt it can’t be read or edited. Maybe someone will ask: Isn’t there any solutions to make MXF files smoothly imported by FCP X? Of course not! Pavtube iMixMXF can do you a big favor! Except for converting MXF footage to Apple ProRes Codec, this MXF converter can also offer you some other formats compatible withAvid Media Composer, Adobe Premiere Pro, etc. The most important point is it also offers the multi-track video output item.

Several steps of importing files to MXF converter offered for you :

Step 1.Load your MXF project and you can take a preview on right window.

  
Step 2. Choose the compatible format: Final Cut Pro>>Apple ProRes 422 codec.

Step 3. Some ‘Settings’ for output format.

 

Click Button ‘Convert’ to finish your work.

In all, a nice choice of editing MXF files in FCP X! Also a better choice of using iMixMXF! Wish you a nice day!

Other guides:

Work with Sony F55/F5 XAVC in FCP/iMovie/Premiere
How to Edit AVCHD MTS/M2TS/M2T/TS Files in FCP 6/7/X?
Method to import AVCHD files into FCP

Make Avid DNxHD MXF Load to DaVinci Resolve Possible

You got a problem about Avid DNxHD MXF not loading to Davinci Resolve for editing? Just calm down and here is a best solution for you.

Many users have reflected that they come across issues loading Avid DNxHD MXF to DaVinci Resolve. The reasons why they import failure is that they don’t know this editing software supports the Avid DNxHD MOV, not MXF. Let me show you an example, just like another editor called FCP X, you can’t also import your MXF videos to FCP X for editing, right? As a non-native format for DaVinci Resolve, there is no doubt the Avid DNxHD MXF files failed to be read and imported by DaVinci Resolve.

 

So how to import Avid DNxHD MXF files to DaVinci Resolve and edit smoothly? The best policy is to convert MXF format to MOV-best supported format by DaVinci Resolve. It won’t be a big deal if you get MXF converter called Pavtube MXF MultiMixer/iMixMXF

Some steps of importing MXF files to MXF Multimixer for converting, Mac users can go this way.

Step1.Load your Avid DNxHD MXF videos .

Step 2.Choose right format by clicking format bar, Avid Meida Composer>>Avid DNxHD 720P/1080P(*.mov).

Step 3. ‘Settings’ for more choices of output files.

At last, click ‘Convert’ is okay. 

With the help of MXF video converter, you won’t be worry about the problem of editing Avid DNxHD MXF files in DaVinci Resolve.

Related guides for reading:
Why Avid DNxHD MXF not loaded to FCP X? 
Solution to import Panasonic HVX200 MXF to iMovie

Best Comparisons within FCP X, Avid MC and Adobe Premiere Pro CC

What? You don’t know the differences in FCP X, Avid MC and Adobe Premiere Pro CC yet? Fine, this paper can help you know more about them.

Nowadays, in editing word, there are so many editing software produced for us to decorate our videos, images and photos. A number of software options we often use in our life such as Autodesk Smoke, Grass Valley EDIUS, Lightworks, Media 100, Sony Vegas and Quantel. The lion’s share of editing is done on three platforms: Apple Final Cut Pro X, Avid Media Composer or Adobe Premiere Pro CC. Especially, the last three editors appear frequently no matter in our daily life or work.

 

Surely, they three have common points and differences, now we’ll make a comparison in three editors. To know more about them, let’s read the article below:

Specific Introductions about FCP X, Avid Media Composer and Adobe Premiere Pro CC

Apple Final Cut Pro X  

 

This update is the tipping point for many FCP 7 users. Enough updates have been released in over two years to address many of the concerns professional editors have expressed. 10.1 requires an operating system update to Mavericks (10.9 or later) and has three marquee items – a revised media structure, optimization for 4K and overall better performance. It is clear that Apple is not about to change the inherent design of FCP X. This means no tracks and no changes to the magnetic timeline. As with any update, there are plenty of small tweaks, including enhanced retiming, audio fades on individual channels, improved split edits and a new InertiaCam stabilization algorithm.

FCP X’s performance was optimized for Mavericks, the new Mac Pro and dual GPU processing. By design, this means improved 4K throughput, including native 4K support for ProRes, Sony XAVC and REDCODE camera raw media files. Along with Final Cut Pro X 10.1, Apple also released updates to Motion and Compressor. 

Brief steps for importing files in FCP X

Avid Media Composer 

 

The biggest feature of Media Composer 7.

0.3 is optimization for new operating systems. It is qualified for Windows 8.1 and Mac OS X 10.8.5, 10.9 and 10.9.1. There are a number of interface changes, including separate audio and video effects palette tabs and changing the appearance of background processing indicator icons. Transcode choices gain a set of H.264 proxy file codecs. 

These had been used in other Avid news and broadcast tools, but are now extended into Media Composer. Support for RED was updated to handle the RED Dragon format. Avid added background transcoding services and FrameFlex – Avid’s solution for bigger-than-HD files. Media Composer also accepts mixed frame rates within a single timeline, by applying Motion Adapters to any clip that doesn’t match the frame rate of the project.

Adobe Premiere Pro CC 

 

The current build of Premiere Pro CC was released towards the end of 2013. Adobe has been enhancing editing features with each new update, but two big selling points of this version are Adobe Anywhere integration and Direct Link between Premiere Pro CC and SpeedGrade CC.

Since you are working directly with the Premiere Pro timeline, SpeedGrade functions with a subset of its usual controls. Operations, like conforming media to an EDL, are inactive. Direct Link facilitates the use of various compressed codecs that SpeedGrade wouldn’t normally handle by itself, since this is being taken care of by Premiere Pro’s media engine. When you’ve completed color correction, the saved timeline is sent back to Premiere Pro. 
Clips in Premiere Pro with applied Lumetri effects also require more resources to play well and rendering definitely helps. The color roundtrip results were good in my tests, with the exception of any clips that used a filter layer with a LUT. These displayed with bizarre colors back in Premiere Pro.

Brief steps for importing files in Adobe

Differing business models in three

Apple, Avid and Adobe have three distinctly different approaches. Adobe and Avid offer cross-platform solutions, while Final Cut Pro X only works on Apple hardware. Users may install the software on as many computers as they like (Mac or PC), but only two can be activated at any time.

Apple’s software sells through the Mac App Store. Individual users may install and use these applications on any Mac computers they own, but enterprise users are supposed to purchase volume licenses to cover one installation per computer. FCP X uses a special version of XML for timeline interchange with other applications, so if you need to send material via EDL, OMF or AAF – or even interchange with previous versions of Final Cut Pro – you will need to augment FCP X with a variety of third-party utilities.

Avid Media Composer remains the only one of the three that follows a traditional software ownership model.  You purchase, download and install the software and activate the license. You may install it on numerous Macs and PCs, but only one at a time can be activated. Thanks to Avid’s installation and activation process, Media Composer is the most transportable of the three. Simply carry Mac and Windows installers on a USB key along with your activation codes.

Dealing with formats

Similarities: 
All three applications are good at handling a variety of source media codecs, frame rates and sizes. In some cases, like RED camera files, plug-ins need to be installed and kept current. Both Apple and Avid will directly handle some camera formats without conversion, but each uses a preferred codec – ProRes for Final Cut Pro X and DNxHD for Media Composer. If you want the most fluid editing experience, then transcode to an optimized codec within the application.

Differences:
Most of us work with HD (or even SD) deliverables, but higher resolutions (2K, UHD, 4K) are around the corner. All three NLEs handle bigger-than-HD formats as source media without much difficulty. I’ve tested the latest RED EPIC Dragon 6K camera files in all three applications and they handle the format well. Both Adobe and Apple can output bigger sequence sizes, too, such as 2K and 4K. For now, Avid Media Composer is still limited to HD (1920 x 1080 maximum) sequences and output sizes.

Related articles:

1. XAVC to FCP on Mac - XAVC is still a new recording format that fails to be recognized by FCP, iMovie, Premiere and Avid.
2. H.264 .MOV footage to Final Cut Pro X - H.264 codec is often used in editing from cameras to editing software.
3. Put MTS into Premiere Pro on Mac - Mske Sony MTS files accepted by Premiere.

Smoothly Back up Blu-ray Movies to External Hard Drive on Windows

In order to back up Blu-rays to hard drive or play BD movies on windows, you won’t get related troubles if you follow the page below.

Blu-ray, according to its high definition feature and powerful storage capacity, it has been popular for a long time. However, we can’t enjoy this happiness when we want to watch them on common players. May be due to this disadvantage, the amount of Blu-ray fans has becoming less and less. So someone maybe asks: Is there any tool for us to transfer or rip Blu-ray movies to external hard Drive? Absolutely yes! Pavtube BDMagic- a professional BD tool whatever you wanna transfer or copy Blu-rays.

‘My intentions with BDMagic program is to backup my Blu-ray movies on my external hard drive & watch the movies on the 50 inch Sony HDTV… And I do perfectly with Pavtube BD Magic’---said James

From the feedback above by a customer after using this product, you must get something about it. Indeed, BDMagic not only can copy your Blu-rays but also can transfer BD movies into common formats for watching on Windows. Here for Mac users.

Here are some tips about specific ways of copying or transferring BD movies:

Firstly, download, install and launch BDMagic. Import the files with button ‘File’.

 
Secondly, click format bar and choose the ‘Copy’ item to preserve to external hard drive. In this way, you can keep movies in original structure and you will get the main title files.

Tip: If you want to backup 1:1 full disc movies, you can click this button. Blu-ray Backup: 1:1 Full Disc Copy on Mac 10.9 Mavericks and Mountain Lion

Note: If you wanna transfer your Blu-rays into common formats for playing or editing, just choose one suitable format. Such as AVI, MPG, WMV, MPEG-4, MP4, or MKV etc.

Finally, you can click ’Convert’ to wait for your output movies.

I have to remind you that BDMagic has another particular function to transcode you movie audio to FLAC-the latest high quality audio. Just like this way:

So do you learn that nothing is impossible? Looking for an effective way to solve your problem, BD Magic can do you a favor.

To learn more:

• Backup Blu-ray Discs to MKV with WD MyCloud
• No Trouble Importing Blu-ray Discs into Final Cut Pro X on Mac
• How Do I Watch Blu-ray/DVD Movies on PS3?